Originally Posted by
bdjohns1
in a railyard lit by floodlights, on a normal sunny day, or in open shade. Show me a film that does that well.
So far when I've shot under artifical light ( which is rarely) I just follow Kodak's recommendations in their tech pubs and use a Wratten filter to correct the light as I shoot. So far it has worked well, since there really is only 2 main types of industrial lighting I only need 2 filters.
$20 on filters seems easier than new camera system + new software + new computer to run it and store the images + plus downtime to learn everything.